2011年08月18日

BFI,ロンドンで個展

ロンドンのBFI(英国映画協会)で飯村の初期映画作品の個展上映が8月19日に開催される。
これはリーズ大学のジュリアン・ロスによって企画され、当日講演も行われる。
上映作品は1960年代のフィルムで、プログラムは以下のとうり:

Love (Ai; 1962, 15min);
Junks (Kuzu; 1962, 8min);
Colours (Iro; 1963, 11min);
The Masseurs (Anma; 1963, 10min);
Rose-Colour Dance (1964, 13min);
Flowers (1969, 11min). Total c68min

ジュリアン・ロスはこのプログラムについて:
Iimura's practice has been defined by his ability to draw from other art forms and collaborate with artists from different genres, in many ways a characteristic of the 1960s Tokyo and New York art scenes he was a part of. This programme features a selection of his early works: Love, Junks and Colours with noise music by Yoko Ono, Kosugi Takehisa and Tone Yasunao respectively, a cine-dance with butoh artists in Anma and Rose Colour Dance, and body-painting with Kusama Yayoi in Flowers.

又当日飯村からの以下のメーセージが会場で読み上げられる。

I began my experimental filmmaking in Tokyo in the early 1960s.
I bought a regular 8mm camera which was just made available in Japan and started immediately to make experimental film
without going around of home movie nor story bound movie. From the start film for me was art, I mean avant-garde art with the back ground of
"modern poetry"(the term in Japanese used for contemporary poem) and neo-dada art of the 1960s. I had many friends/artists in happening(performance),
noise-music, and Butoh dance such as Yoko Ono, Kosugi Takehisa, Tone Yasunao in music/performance and Hijikata Tatsumi in Butoh (though not in this program).
My film is not a document of their performance, but is a filmic creation of its own with their collaborations.
I had no text to follow. We had no cinematheque to see the avant-garde film in Tokyo, not even those of the 1920s.
My text was film books which describe those historical avant-garde film with small photos. I could only imagine the film!
These films you see here tonight were made mostly out of my imagination.
Thanks,
Takahiko iimurajavascript:;
posted by taka at 11:09| Comment(0) | TrackBack(0) | ニュース
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